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2024-01-08
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info:eu-repo/semantics/openAccess
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Universidad Nacional de Educación a Distancia (España). Signa: Revista de la Asociación Española de Semiótica
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Resumen
La conceptualización del microrrelato hipermedial ha abierto el campo a la explotación de los paradigmas estético-semióticos, que se derivan de las relaciones que se establecen entre los diferentes lenguajes que faculta la esfera digital y que repercuten en la recepción y comprensión de las nuevas microformas artístico-literarias. Cabe, por tanto, analizar tanto los retos que se abren ante los procesos de recepción del microrrelato hipermedial, como la cambiante producción creativa en la esfera de los lenguajes artísticos y literarios; la galaxia de discursos imperantes, en los que desde una perspectiva poética y estética se alzan construcciones creativas intersemióticamente, así como la relación entre ideología y estas criaturas narrativas híbridas.
Abstract: The conceptualization of the hypermedial microfiction has opened the field to the exploitation of the aesthetic-semiotic paradigms, which derive from the relationships between the different languages that empower the digital sphere nd that have an impact on the reception and understanding of the new artistic-literary microforms. It is therefore possible to analyze both the challenges that open in the face of the processes of reception of the hypermedia micro-story, as well as the changing creative production in the sphere of artistic and literary languages; the galaxy of prevailing discourses, in which creative constructions rise intersemiotically from a poietic and aesthetic perspective, as well as the relationship between ideology and these hybrid narrative creatures.
Keywords: Hypermedial microstory. Semiotics. Intermediality. Multimodal literacy.
The conceptualization of the hypermedial microfiction has opened the field to the exploitation of the aesthetic-semiotic paradigms, which derive from the relationships between the different languages that empower the digital sphere nd that have an impact on the reception and understanding of the new artistic-literary microforms. It is therefore possible to analyze both the challenges that open in the face of the processes of reception of the hypermedia micro-story, as well as the changing creative production in the sphere of artistic and literary languages; the galaxy of prevailing discourses, in which creative constructions rise intersemiotically from a poietic and aesthetic perspective, as well as the relationship between ideology and these hybrid narrative creatures.
The conceptualization of the hypermedial microfiction has opened the field to the exploitation of the aesthetic-semiotic paradigms, which derive from the relationships between the different languages that empower the digital sphere nd that have an impact on the reception and understanding of the new artistic-literary microforms. It is therefore possible to analyze both the challenges that open in the face of the processes of reception of the hypermedia micro-story, as well as the changing creative production in the sphere of artistic and literary languages; the galaxy of prevailing discourses, in which creative constructions rise intersemiotically from a poietic and aesthetic perspective, as well as the relationship between ideology and these hybrid narrative creatures.
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Categorías UNESCO
Palabras clave
Microrrelato hipermedial. Semiótica. Intermedialidad. Alfabetización multimodal., Hypermedial microstory. Semiotics. Intermediality. Multimodal literacy.