Persona: Garrigos González, Cristina
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cgarrigos@flog.uned.es
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Garrigos González
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Cristina
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Publicación Thematic Equivalence and Ontological Ambivalence: Film Adaptations of The Works of Don DeLillo(Edinburgh University Press, 2023-09-01) Garrigos González, CristinaPublicación Eating, Ethics and Strangers: Hospitality and Food in Ruth Ozeki’s Novels(Brill, 2020-06-06) Garrigos González, Cristina; Ministerio de Economía y Competitividad de España; Junta de Castilla y León. EspañaPublicación Giannina and Braschi: A Polyphony of Voices(University of Pittsburgh Press, 2020-10-01) Garrigos González, CristinaPublicación We Were There: Individual, Social, and Cultural Memory in Punk Memoirs by Women(University of Groningen Press, 2024-12-13) Garrigos González, CristinaThis article analyzes how three of the different types of memory proposed by Aleida Assmann (individual, social, and cultural) are intertwined in the memoirs written by female punk musicians. In these works, there is a strong emphasis on the fact that the narrative persona belongs to a social group, thereby inscribing herself in the culture of the times. The individual memories of the authors, and the shared experiences of the generation to which they belong, thus become a part of the creation of the cultural memory of punk. This article seeks to provide new knowledge of the participation of women in punk via the study of the representation of memory in three memoirs: Alice Bag’s Violence Girl: East L.A. Rage to Hollywood Stage. A Chicana Punk Story (2011), Viv Albertine’s Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys (2014), and Chrissie Hynde’s Reckless: My Life as a Pretender (2016). These memoirs demonstrate that the authors contribute to writing the history of punk by inscribing themselves into it. Aware that the presence of women has not previously been sufficiently acknowledged, they do so by interweaving their individual memories with social ones, in order to attest to the birth of punk as culturePublicación Postmodernist Latinx Literature in the 21st Century? The Writings of Giannina Braschi(Palgrave Macmillan, 2023-12-23) Garrigos González, CristinaThe main objective of this chapter is to explore whether postmodernism as an aesthetic, cultural, and political phenomenon is still alive in contemporary Latinx writing. To do so, I discuss the work of Puerto Rican Giannina Braschi, the author of United States of Banana (2011). It seems pertinent now to see whether the transgressive narrative tactics of Braschi can be studied as postmodern artifacts and if so, to explore the relationship of her writing with former models of narrative experimentation. Thus, it is the purpose of this article to debate the use of the term postmodernism to refer to the recent literary production of Latinx authors, specifically Braschi, who introduce an openly political and ethical position in their works while reaffirming the relevance of radical aesthetics.Publicación The Monster in the House: Gender-Based Violence and Punk in Alice Bag’s Violence Girl: East L.A. Rage to Hollywood Stage. A Chicana Punk Story(Oxford University Press, 2023-09-01) Garrigos González, Cristina; Garrigos González, Cristina; Ahonen, Marika; Agencia Estatal de InvestigaciónGender-based violence is a key concern for the Chicana punk musician. Alice Bag’s memoir, Violence Girl: East L.A. Rage to Hollywood Stage. A Chicana Punk Story (2011), addresses this issue by describing her father’s violent nature and how he beat her mother in front of the young Alicia, who was powerless to prevent it. Even though her father was never aggressive with her, as she explains in her writing, the violence that she witnessed at home became an important part of her growing up, and she channeled it through the ethos of punk. This chapter discusses how, by writing her memoir, Bag explores gender-based domestic violence; it reflects on the effect that this violence had on her life as a woman and artist, and on the development of her identity as Chicana, punk musician, and feminist.Publicación Unhousing in literary representations of Alzheimer’s Disease(Taylor & Francis, 2025-11-17) Garrigos González, Cristina; Agencia Estatal de InvestigaciónA feeling of displacement is one of the most recognisable characteristics experienced by people with Alzheimer’s Disease; cognitive deterioration causes loss of spatial and temporal identification, as well as the erasure of memories. This becomes evident in how the person with Alzheimer’s lives (in) their house with a sense of estrangement. In this disease, the house, formerly associated with meaning, identity, and history, becomes a non-place. This is what we could call ‘unhousing’, that is, the person with Alzheimer’s becomes free from the house as a constraining place loaded with memories. Moreover, unhousing is reinforced when the person with Alzheimer’s is moved to a residential facility. This chapter explores unhousing associated with Alzheimer’s Disease in contemporary US fiction. To that purpose, I will focus on the house and residential facilities as becoming non-places due to the person’s spatial memory loss. I will analyse two novels, Turn of Mind (2011) by Alice LaPlante and We Are Not Ourselves (2014) by Matthew Thomas, where the protagonists are people with Alzheimer’s Disease.