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2023-02-13
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info:eu-repo/semantics/openAccess
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Universidad Nacional de Educación a Distancia (España). Espacio Tiempo y Forma. Serie VII, Historia del Arte
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Resumen
La historiografía del arte aragonés que se había referido a Felipe Busiñac y Borbón, uno de los profesionales de la arquitectura más importantes en el Aragón del Seiscientos, había situado su trayectoria laboral en Borja y en Zaragoza. Sin embargo, tanto la revisión de estudios ya publicados, como el hallazgo de noticias documentales inéditas lo sitúan involucrado en dos proyectos en la provincia de Teruel, en el convento del Carmen de Rubielos de Mora y en la iglesia parroquial de Mosqueruela, dos ejemplos que permiten comprender la evolución de la arquitectura religiosa de Busiñac.
The historiography of Aragonese art that had referred to Felipe Busiñac y Borbón, one of the most important architecture professionals in 1600s Aragon, had located his career in Borja and Zaragoza. However, both the review of studies already published, as well as the discovery of unpublished documentary news, place him involved in two projects in the province of Teruel, in the convent of Carmen de Rubielos de Mora and in the parish church of Mosqueruela, two examples that allow us to understand the evolution of the religious architecture of Busiñac.
The historiography of Aragonese art that had referred to Felipe Busiñac y Borbón, one of the most important architecture professionals in 1600s Aragon, had located his career in Borja and Zaragoza. However, both the review of studies already published, as well as the discovery of unpublished documentary news, place him involved in two projects in the province of Teruel, in the convent of Carmen de Rubielos de Mora and in the parish church of Mosqueruela, two examples that allow us to understand the evolution of the religious architecture of Busiñac.
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Aragón, Arquitectura, Felipe Busiñac y Borbón, Mosqueruela, Rubielos de Mora, barroco, Aragon, Architecture, Felipe Busiñac y Borbón, Mosqueruela, Rubielos de Mora, baroque art