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2024-01-26
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Universidad Nacional de Educación a Distancia (UNED). Espacio Tiempo y Forma. Serie VII, Historia del Arte
Resumen
La popularidad de los relicarios antropomorfos en Aragón ha sido muy notada por la historiografía, vinculando su origen a la donación de los bustos de san Valero, san Vicente y san Lorenzo a la catedral de Zaragoza por el papa Benedicto XIII. Gracias a su papel en las festividades, las tres piezas conformaron una imagen del poder catedralicio que fue ampliamente reproducida a lo largo de la Edad Moderna. El valor de los restos santos auspiciado por el Concilio de Trento animó a otras sedes y parroquias a adoptar este modelo, que también constaba de un ceremonial en el que el espacio litúrgico cobró una importancia fundamental donde desplegar los discursos que legitimaban las instituciones eclesiásticas locales.
The popularity of anthropomorphic reliquaries in Aragon has been noted by historiography, linking their origin to the donation of the busts of Saint Valerius, Saint Vincent and Saint Lawrence to the cathedral of Saragossa by Pope Benedict XIII. Thanks to their role in festivities, the three artworks originated an image of power that was widely reproduced throughout the Modern Age. The renewed value of the holy remains encouraged by the Council of Trent led dioceses sees and parishes to adopt this model, that also consisted of a ceremonial in which the liturgical space took on a fundamental importance where to deploy the arguments that legitimized local ecclesiastical institutions.
The popularity of anthropomorphic reliquaries in Aragon has been noted by historiography, linking their origin to the donation of the busts of Saint Valerius, Saint Vincent and Saint Lawrence to the cathedral of Saragossa by Pope Benedict XIII. Thanks to their role in festivities, the three artworks originated an image of power that was widely reproduced throughout the Modern Age. The renewed value of the holy remains encouraged by the Council of Trent led dioceses sees and parishes to adopt this model, that also consisted of a ceremonial in which the liturgical space took on a fundamental importance where to deploy the arguments that legitimized local ecclesiastical institutions.
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Palabras clave
Platería; arte gótico; Contrarreforma; Renacimiento; Barroco; reliquias; liturgia, Goldsmith; gothic art; Counter-Reformation; Renaissance; Baroque; relics; liturgy

