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Fecha
2022-01-27
Derechos de acceso
info:eu-repo/semantics/openAccess
Título de la revista
ISSN de la revista
Título del volumen
Editorial
Ediciones Universidad Salamanca
Citas
Resumen
Planteamos en este trabajo el estudio, basado en una metodología descriptiva comparativa, y la puesta al día de un sistema decorativo consistente en la repetición ordenada de un módulo, cuyos motivos suelen representarse de forma independiente, tangente o secante; la trama geométrica resultante puede adornarse con elementos geométricos, vegetales y figurados, o una combinación de los tres. Se estudian en profundidad dos de los motivos ornamentales más repetidos: las cabezas femeninas y las plumas de pavo. Este esquema compositivo es característico de la ornamentación de los techos y de la zona superior de la pared, si bien, y en menor medida, también puede ocupar la totalidad de la zona media. En la pintura hispana aparece en época de Tiberio y perdura hasta el s. vi y gracias al estudio en regiones concretas, se han podido establecer relaciones de taller.
We propose in this work the study, based on a comparative descriptive methodology, and an update of a decorative system consisting of the ordered repetition of a module, whose motifs are usually represented independently, tangent or secant; the resulting geometric pattern can be adorned with geometric, vegetal and figurative elements, or a combination of all three. Two of the most repeated ornamental motifs are studied in depth: female heads and turkey feathers. This compositional scheme is characteristic of the ornamentation of the ceilings and the upper area of the wall, although, to a lesser extent, it can also occupy the entire middle area. In Hispanic painting it appears at the time of Tiberius and lasts until the 6th century and, thanks to the study in specific regions, it has been possible to establish workshop relationships.
We propose in this work the study, based on a comparative descriptive methodology, and an update of a decorative system consisting of the ordered repetition of a module, whose motifs are usually represented independently, tangent or secant; the resulting geometric pattern can be adorned with geometric, vegetal and figurative elements, or a combination of all three. Two of the most repeated ornamental motifs are studied in depth: female heads and turkey feathers. This compositional scheme is characteristic of the ornamentation of the ceilings and the upper area of the wall, although, to a lesser extent, it can also occupy the entire middle area. In Hispanic painting it appears at the time of Tiberius and lasts until the 6th century and, thanks to the study in specific regions, it has been possible to establish workshop relationships.
Descripción
La versión registrada de este artículo, publicado por primera vez en Zephyrus, está disponible en línea en el sitio web del editor: Ediciones Universidad
Salamanca, https://doi.org/10.14201/zephyrus202188163189
The registered version of this article, first published in Zephyrus, is available online at the publisher's website: Ediciones Universidad Salamanca, https://doi.org/10.14201/zephyrus202188163189
The registered version of this article, first published in Zephyrus, is available online at the publisher's website: Ediciones Universidad Salamanca, https://doi.org/10.14201/zephyrus202188163189
Categorías UNESCO
Palabras clave
Península Ibérica, esquema compositivo, cabezas femeninas mofletudas, plumas de pavo, talleres, fondo blanco, Iberian Peninsula, Compositional Scheme, Chubby Female Heads, Turkey Feathers, Workshops, White Background
Citación
L. Iñiguez Berrozpe y C. Guiral Pelegrín (2022): El sistema de relación continua en la pintura mural romana de Hispania. Zephyrus 88, pp. 63-89.
Centro
Facultad de Geografía e Historia
Departamento
Prehistoria y Arqueología