Publicación: Actitudes frente a los ideales éticos corteses en la lírica castellana y catalanovalenciana de los siglos XIV y XV
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2011
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Atribución-NoComercial-SinDerivadas 4.0 Internacional
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Universidad de Alcalá. Servicio de Publicaciones
Resumen
La lírica amorosa catalana de los siglos XIV y XV y la lírica castellana de cancionero, además de ser manifestaciones literarias contemporáneas y próximas en el espacio, comparten algunas características: ambas se inscriben en la tradición lírica cortés en lengua romance iniciada por los trovadores provenzales. Sin embargo, ciertos rasgos definitorios de la lírica de los poetas catalanes y valencianos de estos siglos implican la puesta en cuestión de algunos planteamientos básicos de la cortesía. En ocasiones, los poetas llegan a despojar los ideales corteses de su valor original, desacreditándolos en tanto que fuente de bien y de virtudes para el amante. En este artículo partimos de la constatación de estas características para analizar la lírica castellana en busca de posibles manifestaciones similares. El análisis que llevamos a cabo se centra en tres motivos: la valoración de los usos amorosos contemporáneos, la imagen del amante cortés y la presencia en la ficción poética de otros hombres, posibles rivales del amante. El objetivo de este estudio es identificar coincidencias y diferencias en el tratamiento de estos motivos en la lírica castellana y catalana y justificar los resultados de la comparación a la luz de la realidad política y social de la época.
Catalan-Valencian love poetry of the fourteenth and fifteenth centuries and cancionero Castilian poetry are not only linked by geographical and temporal bonds, but also share the same origins: both are heirs, each one in its own way, to the poetic tradition of Provençal troubadours. However, some of the characteristic features of fourteenth and fifteenth centuries’ Catalan-Valencian poetry involve a revision and a discussion of some of the fundamental ideas in the courtly love code. In some cases, poets even strip courtly ideals of their original ennobling power. The starting point of this paper is the acknowledgement of such attitudes among Catalan and Valencian poets. The aim of this essay is to identify the possible concurrence of such topics in Castilian poetry, in order to draw an outline of similarities and differences between the Catalan-Valencian and the Castilian poetic traditions in the treatment of conventional courtly love motifs. To this end, text analysis is carried out around three main topics: the lover’s attitude towards contemporary courtly love habits, the image of the courtly lover, and the presence of other men –potential rivals for the lover– within poetic fiction. Finally, the results of this comparative exercise are assessed in connection with the political and social context of the time.
Catalan-Valencian love poetry of the fourteenth and fifteenth centuries and cancionero Castilian poetry are not only linked by geographical and temporal bonds, but also share the same origins: both are heirs, each one in its own way, to the poetic tradition of Provençal troubadours. However, some of the characteristic features of fourteenth and fifteenth centuries’ Catalan-Valencian poetry involve a revision and a discussion of some of the fundamental ideas in the courtly love code. In some cases, poets even strip courtly ideals of their original ennobling power. The starting point of this paper is the acknowledgement of such attitudes among Catalan and Valencian poets. The aim of this essay is to identify the possible concurrence of such topics in Castilian poetry, in order to draw an outline of similarities and differences between the Catalan-Valencian and the Castilian poetic traditions in the treatment of conventional courtly love motifs. To this end, text analysis is carried out around three main topics: the lover’s attitude towards contemporary courtly love habits, the image of the courtly lover, and the presence of other men –potential rivals for the lover– within poetic fiction. Finally, the results of this comparative exercise are assessed in connection with the political and social context of the time.
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Lírica catalana medieval, Lírica castellana medieval, Lírica de cancionero, Amor cortés
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Centro
Facultades y escuelas::Facultad de Filología
Departamento
Filología Clásica