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2020
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info:eu-repo/semantics/openAccess
Título de la revista
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Título del volumen
Editorial
Tirant Humanidades
Citas
Resumen
Clarice Gouzy Tartufari (1868-1933) fue una escritora, poeta, dramaturga y maestra italiana que vivió a caballo entre los siglos XIX y XX en una Italia que acababa de nacer como nación y que, por lo tanto, sufriría profundos cambios no solo políticos e históricos, sino también sociales y culturales. Como narradora, Gouzy Tartufari desarrolló una gran capacidad para construir relatos enmarcados en la vida rural y de provincias: en ellos retrató con extraordinaria agudeza a sus personajes femeninos, ahondando en su personalidad, la cual, a menudo, evoluciona desde la serenidad de una apacible vida enmarcada dentro de los cánones sociales de la época hasta la exclusión social y la marginación vivida tras sufrir el abuso, moral y/o físico, por parte de los poderes fácticos de la sociedad decimonónica: es decir, los hombres que ejercen el poder tanto en el ámbito doméstico (el padre, el hermano, el hijo varón) como en el público (el alcalde, el párroco), entre otros. En este articulo se profundizará en el retrato de las protagonistas femeninas de dos de sus obras más paradigmáticas, Roveto ardente (1901) e Il Miracolo (1909), y serán analizadas como figuras que se rebelan contra los cánones establecidos al arriesgarse a vivir siguiendo sus propios dictados, aunque caerían finalmente rendidas y derrotadas. Es en esos momentos de rebelión en los que surge la fuerza arrolladora de ambos personajes.
Clarice Gouzy Tartufari (1868-1933) was an Italian writer, poet, playwright and teacher who lived on horseback between the nineteenth and twentieth centuries in an Italy that had just been born as a nation and, therefore, would undergo profound changes not only political and historical, but also social and cultural. As a narrator, Gouzy Tartufari developed a great capacity to build stories framed in rural and provincial life: in them she portrayed her feminine characters with extraordinary sharpness, delving into her personality, which often evolves from the serenity of a gentle life framed within the social canons of the time until social exclusion and marginalization lived after suffering the abuse, moral and / or physical, by the factual powers of nineteenth-century society: that is, men who exercise power so much in the domestic sphere (the father, the brother, the son) as in the public (the mayor, the pastor), among others. This article will deepen the portrait of the female protagonists of two of her most paradigmatic writngs, Roveto ardente (1901) and Il Miracolo (1909), and will be analyzed as figures that rebel against the established canons when they risk living following their dictations themselves, although they would eventually be rendered and defeated. It is in those moments of rebellion that the overwhelming force of both characters emerges.
Clarice Gouzy Tartufari (1868-1933) was an Italian writer, poet, playwright and teacher who lived on horseback between the nineteenth and twentieth centuries in an Italy that had just been born as a nation and, therefore, would undergo profound changes not only political and historical, but also social and cultural. As a narrator, Gouzy Tartufari developed a great capacity to build stories framed in rural and provincial life: in them she portrayed her feminine characters with extraordinary sharpness, delving into her personality, which often evolves from the serenity of a gentle life framed within the social canons of the time until social exclusion and marginalization lived after suffering the abuse, moral and / or physical, by the factual powers of nineteenth-century society: that is, men who exercise power so much in the domestic sphere (the father, the brother, the son) as in the public (the mayor, the pastor), among others. This article will deepen the portrait of the female protagonists of two of her most paradigmatic writngs, Roveto ardente (1901) and Il Miracolo (1909), and will be analyzed as figures that rebel against the established canons when they risk living following their dictations themselves, although they would eventually be rendered and defeated. It is in those moments of rebellion that the overwhelming force of both characters emerges.
Descripción
Categorías UNESCO
Palabras clave
Tartufari, personajes femeninos, sociedad, feminismo, Tartufari, female characters, society, feminism
Citación
Moreno Celeghin, M.G (2020). Personajes femeninos exocanónicos en la obra de Clarice Gouzy Tartufari. En Daniel Escandell Montiel y Sofia Raquel Oliveira Dias (Eds.): Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes. Tirant Humanidades, 123-136
Centro
Facultad de Filología
Departamento
Filologías Extranjeras y sus Lingüísticas