Publicación: Authorial Corpographies. Performing Gender and Cultural Authorship
| dc.contributor.author | Pérez Fontdevila, Aina | |
| dc.contributor.author | Torras Francès, Meri | |
| dc.date.accessioned | 2025-11-05T11:22:00Z | |
| dc.date.available | 2025-11-05T11:22:00Z | |
| dc.date.issued | 2017-12-15 | |
| dc.description | The registered version of this article, first published in “Interférences litteraires/literaire interferenties,21, 2017, pp. 3-21"", is available online at the publisher's website: Institut de littérature de l'UCLouvain, https://www.interferenceslitteraires.be/index.php/illi/article/view/996 | |
| dc.description | La versión registrada de este artículo, publicado por primera vez en “Interférences litteraires/literaire interferenties,21, 2017, pp. 3-21", está disponible en línea en el sitio web del editor: Institut de littérature de l'UCLouvain, https://www.interferenceslitteraires.be/index.php/illi/article/view/996 | |
| dc.description.abstract | In the last few decades we have witnessed what is undoubtedly a crucial event within Literary Studies: the rebirth of the Author as a central object in theoretical debates – a return which, even if it does not necessarily restore the powers bestowed on it by its progressive sacralization and singularization in Modernity, makes it a prominent star within cultural theory today. Despite such wide interest in reviewing the genealogies, functions, modes of existence, and, ultimately, the cultural and epochal narratives that support the notion of the Author and its multiple incarnations, the “sleeping beauty of Literary Studies”, which is the iconographic representation of the writer, has awoken only in recent years (to use an expression coined by Jean-Pierre Bertrand, Pascal Durand, and Martine Lavaud that appears extremely appropriate for the present issue of Interférences littéraires/Literaire interferenties.) | en |
| dc.description.provenance | Made available in DSpace on 2025-11-05T11:22:00Z (GMT). No. of bitstreams: 1 Perez_Fontdevila_AuthorialCorpographies_AINA PEREZ FONTDEVIL.pdf: 284532 bytes, checksum: 2652e7350d11789c187457c31b6966c5 (MD5) Previous issue date: 2017-12-15 | en |
| dc.description.version | versión publicada | |
| dc.identifier.citation | Pérez Fontdevila y Meri Torras Francès, (2017)"Authorial Corpographies. Performing Gender and Cultural Authorship", Interférences litteraires/literaire interferenties (ISSN 2031-2970), 21, 2017, pp. 3-21. | |
| dc.identifier.issn | 2031-2970 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14468/30763 | |
| dc.journal.issue | 21 | |
| dc.journal.title | Interférences litteraires/literaire interferenties | |
| dc.language.iso | en | |
| dc.page.final | 21 | |
| dc.page.initial | 3 | |
| dc.publisher | Institut de littérature de l'UCLouvain | |
| dc.relation.center | Facultad de Filología | |
| dc.relation.department | Literatura Española y Teoría de la Literatura | |
| dc.rights | info:eu-repo/semantics/openAccess | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/deed.es | |
| dc.subject | 5701.07 Lengua y literatura | |
| dc.subject | 6202 Teoría, análisis y crítica literarias | |
| dc.title | Authorial Corpographies. Performing Gender and Cultural Authorship | en |
| dc.type | artículo | es |
| dc.type | journal article | en |
| dspace.entity.type | Publication | |
| relation.isAuthorOfPublication | 9d43a627-ef5d-4238-b44d-fc1236e31286 | |
| relation.isAuthorOfPublication.latestForDiscovery | 9d43a627-ef5d-4238-b44d-fc1236e31286 |
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