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CINE BRECHTIANO Y DECOLONIALIDAD: DE GODARD A ROCHA: BRECHTIAN CINEMA AND DECOLONIALITY: FROM GODARD TO ROCHA

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dc.contributor.authorABUÍN GONZÁLEZ, Anxo
dc.date.accessioned2026-09-01T14:06:12Z
dc.date.available2026-09-01T14:06:12Z
dc.date.issued2024-01-08
dc.date.updated2026-09-01T14:06:12Z
dc.description.abstractLas teorías epizadoras de Brecht alcanzaron un eco inmediato en el medio cinematográfico, al que el dramaturgo alemán era tan afín. El llamado cine brechtiano, que se asienta en el cuestionamiento de las convenciones teatrales asociadas al drama aristotélico, tuvo un especial desarrollo en la Nouvelle vague, un movimiento muy dado a la experimentación intermedial. Godard se toma aquí como ejemplo, desde sus primeras películas hasta su colaboración en Grupo Dziga Vertov, en un periodo (1960-1985) en el que su preocupación política, planteada desde la discusión de la actualidad de la ideología marxista-comunista, fue en aumento. La influencia de Brecht y Godard es evidente en la práctica fílmica de Glauber Rocha, otro representante del cine brechtiano, pero en su evolución hacia la creación de un tercer espacio / cine se percibe un compromiso cada vez mayor con un pensamiento situado que encajaría en un nuevo paradigma de conocimiento, la decolonialidad. Abstract: Bertolt Brecht’s epic theories left an immediate mark on the film medium, to which the German playwright was so close. The so-called Brechtian cinema, which is based on the questioning of the theatrical conventions regularly associated with Aristotelian drama, had a special development in the Nouvelle vague, a movement much given to intermedial experimentation. Jean-Luc Godard is taken here as an example, from his first films to his collaboration in the Dziga Vertov Group, in a period (1960-1985) in which his political concern, raised from the discussion of current Marxist-communist ideology, was considerably increasing. The influence of Brecht and Godard is well known for the film trajectory of Glauber Rocha, another representative director of Brechtian cinema, but in his evolution towards the creation of a Third space / cinema there is a growing commitment to situated thinking that would fit into a new paradigm of knowledge, decoloniality.   Keywords: Brechtianism. Decoloniality. Intermediality. Performativity. Third cinema. Jean-Luc Godard. Glauber Rocha.es
dc.description.abstractBertolt Brecht’s epic theories left an immediate mark on the film medium, to which the German playwright was so close. The so-called Brechtian cinema, which is based on the questioning of the theatrical conventions regularly associated with Aristotelian drama, had a special development in the Nouvelle vague, a movement much given to intermedial experimentation. Jean-Luc Godard is taken here as an example, from his first films to his collaboration in the Dziga Vertov Group, in a period (1960-1985) in which his political concern, raised from the discussion of current Marxist-communist ideology, was considerably increasing. The influence of Brecht and Godard is well known for the film trajectory of Glauber Rocha, another representative director of Brechtian cinema, but in his evolution towards the creation of a Third space / cinema there is a growing commitment to situated thinking that would fit into a new paradigm of knowledge, decoloniality.  en
dc.description.provenanceMade available in DSpace on 2026-09-01T14:06:12Z (GMT). No. of bitstreams: 2 Cine-brechtiano-y-decolonialidad-de-godard-a-rocha.pdf: 402197 bytes, checksum: 5fbe85646db5ec1cf9a855873ab9a897 (MD5) deposit.zip: 391360 bytes, checksum: f0532f1b469bbee1055a82183f3d9158 (MD5) Previous issue date: 2024-01-08en
dc.identifier.doihttps://doi.org/10.5944/signa.vol33.2024.37202
dc.identifier.eissn2254-9307
dc.identifier.issn1133-3634
dc.identifier.urihttps://espacio-pre.uned.es/handle/123456789/33318
dc.journal.titleSigna: Revista de la Asociación Española de Semiótica
dc.journal.volume33
dc.language.isoes
dc.publisherUniversidad Nacional de Educación a Distancia (España). Signa: Revista de la Asociación Española de Semiótica
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.holderAnxo Abuín Gonzálezes
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0
dc.subject5705.09 Semiologíaes
dc.subject.keywordsBrechtianismo. Decolonialidad. Intermedialidad. Performatividad. Tercer cine. Jean-Luc Godard. Glauber Rocha.es
dc.subject.keywordsBrechtianism. Decoloniality. Intermediality. Performativity. Third cinema. Jean-Luc Godard. Glauber Rocha.en
dc.titleCINE BRECHTIANO Y DECOLONIALIDAD: DE GODARD A ROCHA: BRECHTIAN CINEMA AND DECOLONIALITY: FROM GODARD TO ROCHAes
dc.titleBRECHTIAN CINEMA AND DECOLONIALITY: FROM GODARD TO ROCHAen
dc.typejournal articleen
dc.typeartículoes
dspace.entity.typePublication
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Signa: Revista de la Asociación Española de Semiótica. Vol. 33 (2024)