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Fecha
2024-12-18
Derechos de acceso
info:eu-repo/semantics/openAccess
Título de la revista
ISSN de la revista
Título del volumen
Editorial
Institut d'Estudis Catalans
Citas
Resumen
Sophocles’ tragedies on the Theban cycle evoke Dionysus’ choruses in three different occasions (Ant. 1115-1154, OT 209-215 and OC 668-693) that, de-spite the twenty years at least between the tragedies, share key features. This paper analyzes these passages, paying particular attention to the lexicon and the concepts related to the Dionysian cult, in order to clarify how certain aspects are highlighted in each case and how they are related to each play. The chorus’ songs depict Dionysus’ nocturnal dance with his retinue of nymphs in the middle of a wild nature, which contrasts with the distressing situation the god is invoked in. Each invocation serves a particular purpose in its play, but, at the same time, their coincidences point to the chorus’ in-termediary role between the natural world governed by Dionysus and the theatrical context.
Descripción
La versión registrada de este artículo, publicado por primera vez en Ítaca: Quaderns Catalans de Cultura Clàssica 39-40, 2023-2024, pp. 31-55, ISSN ; 0213-6643; 2013-9519, está disponible en línea en el sitio web del editor: http://doi.org/doi:10.2436/20.2501.01.118.
The registered version of this article, published for the first time in Ítaca: Quaderns Catalans de Cultura Clàssica 39-40, 2023-2024, pp. 31-55, ISSN; 0213-6643; 2013-9519, is available online at the publisher's website http://doi.org/doi:10.2436/20.2501.01.118.
Categorías UNESCO
Palabras clave
Dionysus, nymphs, tragic chorus, bacchic chorus, locus amoenus
Citación
Sánchez i Bernet Andrea, “El seguici dionisíac com a reflex dels cors de les tragèdies tebanes de Sòfocles”, Ítaca: Quaderns Catalans de Cultura Clàssica 39-40, 2023-2024, pp. 31-55, ISSN ; 0213-6643; 2013-9519; DOI: http://doi.org/doi:10.2436/20.2501.01.118
Centro
Facultad de Filología
Departamento
Filología Clásica