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BEFORE THE END: (MICRO)RELATOS INFINITOS PARA UNA PANDEMIA: BEFORE THE END: UNENDING (MICRO)FICTIONS FOR A PANDEMIC

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dc.contributor.authorAMEZCUA GÓMEZ, David
dc.date.accessioned2026-09-01T14:06:27Z
dc.date.available2026-09-01T14:06:27Z
dc.date.issued2024-01-08
dc.date.updated2026-09-01T14:06:27Z
dc.description.abstractEn el presente trabajo abordamos un experimento audiovisual presentado en la red social Vimeo durante el confinamiento provocado por la pandemia del COVID-19 en marzo de 2020. El objetivo del experimento, realizado por el profesor de Film Studies Rob Stone, consistía en reinterpretar el denominado efecto Kuleshov en el entorno de una red social. El vídeo se plantea como una secuela de la trilogía compuesta por las películas Before Sunrise (1995), Before Sunset (2004) y Before Midnight (2013) dirigidas por Richard Linklater. El objetivo de nuestro trabajo es analizar cómo la audiencia familiarizada con la trilogía construye una nueva narrativa a partir de la yuxtaposición de imágenes. Por otro lado, dado que el vídeo se presenta rotulado con el título de Before the End, pretendemos demostrar cómo el hibridismo y la intermedialidad derivados de la alianza entre un texto y otras manifestaciones artísticas permiten ensanchar nuestra experiencia estética y sensorial. Abstract: The present article analyzes an audiovisual experiment presented in Vimeo during the lockdown in 2020. The aim of this experiment consisted of reinterpreting the so called Kuleshov effect in the context of a social media, by means of an updating of this revolutionary form of film editing. This video can be seen as a sequel to Richard Linklater’s trilogy: Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). Rob Stone’s editing of a previous footage shows the trilogy protagonists, Ethan Hawke and Julie Delpy, recreating the scene in the record booth from Before Sunrise on a videocall during lockdown in 2020. Thus, we would like to analyze the logic-semantic connections between the title of this video, Before the End, and this audiovisual fiction. On the other hand, it is also our intention to show how hybridism and intermediality can heighten our aesthetic and sensorial experience. Keywords: Hypermedial short short story. Semiotics. Kuleshov Effect. Richard Linklateres
dc.description.abstractThe present article analyzes an audiovisual experiment presented in Vimeo during the lockdown in 2020. The aim of this experiment consisted of reinterpreting the so called Kuleshov effect in the context of a social media, by means of an updating of this revolutionary form of film editing. This video can be seen as a sequel to Richard Linklater’s trilogy: Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). Rob Stone’s editing of a previous footage shows the trilogy protagonists, Ethan Hawke and Julie Delpy, recreating the scene in the record booth from Before Sunrise on a videocall during lockdown in 2020. Thus, we would like to analyze the logic-semantic connections between the title of this video, Before the End, and this audiovisual fiction. On the other hand, it is also our intention to show how hybridism and intermediality can heighten our aesthetic and sensorial experience.en
dc.description.provenanceMade available in DSpace on 2026-09-01T14:06:27Z (GMT). No. of bitstreams: 2 Before-the-end-micro-relatos-infinitos-para-una-pandemia.pdf: 389193 bytes, checksum: 241fa1eb83f83605e02fea92f825e2e7 (MD5) deposit.zip: 375071 bytes, checksum: d1d6435b151cfc27ccb0c5e0f74217a8 (MD5) Previous issue date: 2024-01-08en
dc.identifier.doihttps://doi.org/10.5944/signa.vol33.2024.38814
dc.identifier.eissn2254-9307
dc.identifier.issn1133-3634
dc.identifier.urihttps://espacio-pre.uned.es/handle/123456789/33330
dc.journal.titleSigna: Revista de la Asociación Española de Semiótica
dc.journal.volume33
dc.language.isoes
dc.publisherUniversidad Nacional de Educación a Distancia (España). Signa: Revista de la Asociación Española de Semiótica
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.holderDavid AMEZCUA GÓMEZes
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0
dc.subject5705.09 Semiologíaes
dc.subject.keywordsMicrorrelato hipermedial. Semiótica. Efecto Kuleshov. Richard Linklateres
dc.titleBEFORE THE END: (MICRO)RELATOS INFINITOS PARA UNA PANDEMIA: BEFORE THE END: UNENDING (MICRO)FICTIONS FOR A PANDEMICes
dc.titleBEFORE THE END: UNENDING (MICRO)FICTIONS FOR A PANDEMICen
dc.typejournal articleen
dc.typeartículoes
dspace.entity.typePublication
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Signa: Revista de la Asociación Española de Semiótica. Vol. 33 (2024)