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Fecha
2022-01-01
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info:eu-repo/semantics/closedAccess
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Editorial
Peter Lang
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Resumen
Este trabajo realiza una lectura minuciosa de la novela Víspera del odio de Concha Castroviejo. La novela se estructura en dos partes. La primera, que abarca desde el capítulo primero al tercero, funciona como introducción a lo que será el grueso de la novela y segunda parte estructural, una larga carta de su protagonista, Teresa, a una amiga en la que le da testimonio de toda su vida. Este estudio se centra, principalmente, en cómo esta carta refleja el propio proceso de la escritura, haciendo alusión a las circunstancias que la rodean, nombrando a su destinataria y buscando su complicidad o aludiendo al coste físico y mental de plasmar las palabras en el papel. La palabra misma toma, por ello, un protagonismo inusual, que refleja, asimismo una conciencia de género.
This paper performs a thorough reading of Concha Castroviejo’s novel Víspera del odio (Eve of Hate). The novel is structured in two parts. The first, which runs from the first to the third chapter, functions as an introduction to the second, that is the most extensive and relevant part of the novel. This second part is a long letter from the protagonist, Teresa, to a friend in which she gives testimony of her whole life. This study focuses mainly on how this letter reflects the writing process itself, alluding to the circumstances surrounding it, naming its recipient, and seeking her complicity or alluding to the physical and mental cost of putting words on paper. The word itself takes, therefore, an unusual protagonism, which also reflects a gender awareness.
This paper performs a thorough reading of Concha Castroviejo’s novel Víspera del odio (Eve of Hate). The novel is structured in two parts. The first, which runs from the first to the third chapter, functions as an introduction to the second, that is the most extensive and relevant part of the novel. This second part is a long letter from the protagonist, Teresa, to a friend in which she gives testimony of her whole life. This study focuses mainly on how this letter reflects the writing process itself, alluding to the circumstances surrounding it, naming its recipient, and seeking her complicity or alluding to the physical and mental cost of putting words on paper. The word itself takes, therefore, an unusual protagonism, which also reflects a gender awareness.
Descripción
Categorías UNESCO
Palabras clave
novela de posguerra, mujer, literatura femenina, novela epistolar, carta, postwar Spanish novel, women, women’s writing, epistolary novel, literary letter
Citación
Martínez Cantón, Clara I. 2022. «Víspera Del Odio, La Palabra de Mujer de Concha Castroviejo». En Narradoras Españolas de Posguerra, editado por Clara I. Martínez Cantón y Sergio Fernández Martínez. Peter Lang. https://www.peterlang.com/document/1221235
Centro
Facultad de Filología
Departamento
Literatura Española y Teoría de la Literatura