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La politización del arte Jane Addams y Walter Benjamin

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dc.contributor.authorVaamonde, Marta
dc.date.accessioned2025-08-05T10:22:10Z
dc.date.available2025-08-05T10:22:10Z
dc.date.issued2025-04-25
dc.descriptionLa versión registrada de este artículo, publicado por primera vez en European Journal of Pragmatism and American Philosophy, 17 (1), está disponible en línea en el sitio web del editor: https://doi.org/10.4000/13T9Z. The registered version of this article, first published in European Journal of Pragmatism and American Philosophy, 17 (1), is available online from the publisher's website: https://doi.org/10.4000/13T9Z.
dc.description.abstractThis article compares the proposals of Walter Benjamin and Jane Addams on the politicization of art, reflecting on its relevance in contemporary aesthetics. Benjamin suggests that the fragmentation and montage of images strip the artwork of its “aura,” allowing for the awakening of critical consciousness and revealing the alienating social conditions hidden by dominant narratives. However, T. Adorno questions whether dialectical images without conceptual mediation truly dismantle mysticism or, on the contrary, consolidate it. On the other hand, Addams emphasizes the role of art in building cooperative and democratic social relationships, fostering solidarity and empathy through artistic practices at Hull House. While Benjamin advocates for critical rupture, Addams supports reform and cooperation – two approaches to countering the use of art as a tool of domination in the context of technological advances. The open question both raise is how to highlight the revolutionary potential of art in contemporary society without it becoming a tool of manipulation.en
dc.description.provenanceMade available in DSpace on 2025-08-05T10:22:10Z (GMT). No. of bitstreams: 1 Vaamonde_Marta_La_politizacion_del_arte.pdf: 246206 bytes, checksum: aad786090b0fa8572fd0ef1f89fb7e97 (MD5) Previous issue date: 2025-04-25en
dc.description.versionversión publicada
dc.identifier.citationVaamonde, M. (2025). "La Politización del arte". European Journal of Pragmatism and American Philosophy, 17 (1), DOI: https://doi.org/10.4000/13T9Z
dc.identifier.doihttps://doi.org/10.4000/13t9z
dc.identifier.issn2036-4091
dc.identifier.urihttps://hdl.handle.net/20.500.14468/29825
dc.journal.issue1
dc.journal.titleEuropean Journal of Pragmatism and American Philosophy
dc.journal.volume7
dc.language.isoes
dc.publisherAssociazione Pragma
dc.relation.centerFacultad de Filosofía
dc.relation.departmentFilosofía y Filosofía Moral y Política
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subject72 Filosofía
dc.subject.keywordsCritiqueen
dc.subject.keywordsArtistic Praxisen
dc.subject.keywordsPhantasmagoriaen
dc.subject.keywordsDemocratizationen
dc.subject.keywordsCommodificationen
dc.titleLa politización del arte Jane Addams y Walter Benjamines
dc.typejournal articleen
dspace.entity.typePublication
relation.isAuthorOfPublication8f70fbe1-9f54-48a6-9382-0151f6c21bb7
relation.isAuthorOfPublication.latestForDiscovery8f70fbe1-9f54-48a6-9382-0151f6c21bb7
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