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Intermedial Adaptation Strategies When Setting Poems to Music

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dc.contributor.authorMartínez Cantón, Clara Isabel
dc.contributor.authorBermúdez Sabel, Helena
dc.date.accessioned2026-01-15T12:57:48Z
dc.date.available2026-01-15T12:57:48Z
dc.date.issued2025-12
dc.description.abstractThere are several ways to adapt a poem to a new medium and create a song based on it, such as a simple reference, narrative continuation of the poem, parody or other reflection on its content or form. One of the most common methods is, undoubtedly, setting poetic texts to music with minimal intervention, such as transferring verses, repeating them, or even eliminating them. It is commonly thought that this kind of musical adaptation preserves the poem and gives it a new life in another medium, but studies of which textual mechanisms come into play and why are scarce. This work presents an analysis through textual collation of 65 poem–song pairs, to analyse the types of modification that occur most frequently and, within them, to examine critically which are the criteria that determine the choice to add, delete, or repeat verses or other sequences. To this end, we worked with the corpus provided by the PoeMAS project, which collects, in a comprehensive, publicly available database, a wide variety of Spanish lyrics (from 1975 onward) based on poems. Using this corpus, a pairwise collation of the poems and their song adaptations was carried out in order to examine the textual differences between a poem and each of its adaptations. We have drawn from the theories of intersemiotic translation (Jakobson 1959; Romano 1994, 1999) and intermediality (Rajewsky 2005; Wolf 1999) to propose a formal classification for the types of change that occur most frequently and analyse them in our digital corpus. The pairwise collation of song–poem texts and the classification of changes using this taxonomy allowed us to reach conclusions about text modifications and about the criteria underlying them in lyrics, explaining therefore why and when some lines or sequences are repeated, suppressed, added or changed.en
dc.description.provenanceMade available in DSpace on 2026-01-15T12:57:48Z (GMT). No. of bitstreams: 1 2026-01-setting_poems_to_music_Clara Isabel Martíne.pdf: 225299 bytes, checksum: aa71ec4e9646e9b7b6d759dc26e7b47d (MD5) Previous issue date: 2025-12en
dc.description.sponsorshipThis paper is part of PoeMAS. Much More than Poems: Poetry for More People and the Poetics of Song (M+PoeMAS) (PID2024-158927NB-I00) project, funded by the Spanish Ministry of Science, Innovation and Universities.
dc.description.versionversión publicada
dc.identifier.citationMartínez Cantón, Clara, Helena Bermúdez Sabel, y Pablo Ruiz Fabo. 2025. «Intermedial Adaptation Strategies When Setting Poems to Music». En Popular Voices: Computational Analysis of Poetry and Song, pdf, editado por Mari Väina. ELM Scholarly Press. https://doi.org/10.7592/PP2025.09.martinez_canton_et_al.
dc.identifier.doihttps://doi.org/10.7592/PP2025.09.martinez_canton_et_al
dc.identifier.isbn978-9916-742-78-5
dc.identifier.urihttps://hdl.handle.net/20.500.14468/31426
dc.language.isoen
dc.page.final173
dc.page.initial157
dc.publisherELM Scholarly Press
dc.relation.centerFacultad de Filología
dc.relation.departmentLiteratura Española y Teoría de la Literatura
dc.relation.ispartofPopular Voices: Computational Analysis of Poetry and Song
dc.relation.projectidinfo:eu-repo/grantAgreement/MICIU//PID2024-158927NB-I00
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subject5505.10 Filología
dc.subject5701.07 Lengua y literatura
dc.titleIntermedial Adaptation Strategies When Setting Poems to Musicen
dc.typecapítulo de libroes
dc.typebook parten
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relation.isAuthorOfPublication7f6db8d1-51cf-49b7-be42-43ccabc9762d
relation.isAuthorOfPublication2e36b082-f91c-4ad2-b424-01fddbd753ce
relation.isAuthorOfPublication.latestForDiscovery7f6db8d1-51cf-49b7-be42-43ccabc9762d
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