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Fecha
2024-01-01
Derechos de acceso
info:eu-repo/semantics/openAccess
Título de la revista
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Título del volumen
Editorial
Editorial Verbum
Citas
Resumen
Después de un breve panorama sobre las relaciones entre teatro y manicomio en la Italia de las últimas décadas, se propone el análisis de dos obras vinculadas a la memoria del manicomio romano de Santa Maria della Pietà. Se trata de La pecora nera (2005), del narrador teatral Ascanio Celestini e I quaderni di Lia Traverso (2006), de la actriz y dramaturga Carlotta Piraino. El primero, especializado en estudiar las relaciones entre individuo e institución, construye su narración a partir de la recopilación de la memoria de muchas personas que o bien estuvieron recluidas en Santa Maria della Pietà o trabajaron ahí. La segunda, en cambio, se centra en los recuerdos de una única paciente, de la que se conserva un diario, publicado en 1996. Dos perspectivas distintas y un mismo formato teatral, para reflexionar sobre el paradigma salud/enfermedad mental a partir de un lugar simbólico para el imaginario de la capital italiana.
After a brief overview of the relationship between theatre and asylum in Italy in recent decades, this paper analyses two plays linked to the memory of the Roman asylum of Santa Maria della Pietà. These are La pecora nera (2005), by the theatrical narrator Ascanio Celestini, and I quaderni di Lia Traverso (2006), by the actress and playwright Carlotta Piraino. Celestini, being a specialist in the study of the relationship between the individual and the institution, constructs his narrative by collecting the memories of many people who were either segregated in Santa Maria della Pietà or who worked there. Piraino, on the other hand, focuses on the memories of a single patient, whose diary was preserved and then published in 1996. We have therefore two different perspectives offered in the same theatrical format to reflect on the mental health/illness paradigm symbolically based on a place which is strongly telling to the inhabitants of Rome.
After a brief overview of the relationship between theatre and asylum in Italy in recent decades, this paper analyses two plays linked to the memory of the Roman asylum of Santa Maria della Pietà. These are La pecora nera (2005), by the theatrical narrator Ascanio Celestini, and I quaderni di Lia Traverso (2006), by the actress and playwright Carlotta Piraino. Celestini, being a specialist in the study of the relationship between the individual and the institution, constructs his narrative by collecting the memories of many people who were either segregated in Santa Maria della Pietà or who worked there. Piraino, on the other hand, focuses on the memories of a single patient, whose diary was preserved and then published in 1996. We have therefore two different perspectives offered in the same theatrical format to reflect on the mental health/illness paradigm symbolically based on a place which is strongly telling to the inhabitants of Rome.
Descripción
Categorías UNESCO
Palabras clave
Ascanio Celestini, Carlotta Piraino, Manicomio, Teatro de la Memoria, Teatro di Narrazione, Ascanio Celestini, Carlotta Piraino, Asylum, Theatre of Memory, Teatro di Narrazione
Citación
Sanfilippo, Marina, (2024). «Rescatando la memoria de Santa Maria della Pietà: las narraciones teatrales de Ascanio Celestini y Carlotta Piraino». En Teatro y medicina en el primer cuarto del siglo XXI, de José Romera Castillo (coord.), editorial Verbum, pp. 543-566.
Centro
Facultad de Filología
Departamento
Filologías Extranjeras y sus Lingüísticas
Grupo de investigación
Semiótica Literaria, Teatral y Nuevas Tecnologías