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Suspend the Sense: Performativity, Technology, and Visual Culture in Il Cannocchiale per la Finta Pazza

dc.contributor.authorGómez López, Consuelo
dc.date.accessioned2025-07-23T07:51:25Z
dc.date.available2025-07-23T07:51:25Z
dc.date.issued2024-12-12
dc.descriptionThe registered version of this article, first published in “Explorations in Renaissance Culture" is available online at the publisher's website: Brill, https://doi.org/10.1163/23526963-05001004 La versión registrada de este artículo, publicado por primera vez en “Explorations in Renaissance Culture" está disponible en línea en el sitio web del editor: Brill, https://doi.org/10.1163/23526963-05001004
dc.description.abstractThis article explores the relationship in the Early Modern period between visual culture, spectacle,and technology. It investigates the processes that led machinery to become an essential part of the scenic discourse of the time, taking as reference Il Cannocchiale per la Finta Pazza, a unique document produced in 1641 by the Venetian opera industry and which, to date, has received only scant scholarly attention. It studies the information the manuscript provides on how theater engineering acquired a performative value when employed to affect the audience’s sensory experience. The methodological approach takes account of modern performative studies and the ‘sensory turn’ and reflects on how technology became an integral part of consumption of modern spectacle which, when viewed from the physical, social, and intellectual perspectives, constitutes a complex sensory space.en
dc.description.provenanceMade available in DSpace on 2025-07-23T07:51:25Z (GMT). No. of bitstreams: 1 ERC_050_01-02_Gomez_proof-01.pdf: 260763 bytes, checksum: 9b95f1b736e3f5356c28cc4d595b3645 (MD5) Previous issue date: 2024-12-12en
dc.description.versionversión final
dc.identifier.citationGómez López, C. (2024). ‘Suspend the Sense’: Performativity, Technology, and Visual Culture in Il Cannocchiale per la Finta Pazza. Explorations in Renaissance Culture, 50(1-2), 1-20. https://doi.org/10.1163/23526963-05001004
dc.identifier.doihttps://doi.org/10.1163/23526963-05001004
dc.identifier.issn2352-6963
dc.identifier.urihttps://hdl.handle.net/20.500.14468/29667
dc.journal.issue(1-2)
dc.journal.titleExplorations in Renaissance Culture
dc.journal.volume50
dc.language.isoes
dc.page.final20
dc.page.initial1
dc.publisherBrill
dc.relation.centerFacultad de Geografía e Historia
dc.relation.departmentHistoria del Arte
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subject5506.02 Historia del arte
dc.subject.keywordssensory turnen
dc.subject.keywordsvisual cultureen
dc.subject.keywordsmodern spectacleen
dc.subject.keywordstechnologyen
dc.subject.keywordsmachineryen
dc.subject.keywordsperformativityen
dc.subject.keywordsVeniceen
dc.subject.keywordsEarly Modern perioden
dc.titleSuspend the Sense: Performativity, Technology, and Visual Culture in Il Cannocchiale per la Finta Pazzaes
dc.typejournal articleen
dspace.entity.typePublication
relation.isAuthorOfPublication05d2434a-b90d-4a4e-afea-a4c17e43f953
relation.isAuthorOfPublication.latestForDiscovery05d2434a-b90d-4a4e-afea-a4c17e43f953
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