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2025-10-08
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En todo el mundo occidental, y más especialmente en el territorio español, las primeras tres décadas del siglo XX supusieron una época crucial para la historia de las mujeres, debido sobre todo a las profundas transformaciones sociales y legales que afectaron tanto al ámbito público como al privado. No obstante, en el contexto hispánico, no es hasta finales de la centuria cuando la crítica literaria comienza una labor de recuperación de las escritoras, intelectuales y artistas de preguerra. El presente trabajo se centra en la figura de Elena Arcediano, autora teatral de importante interés, cuya obra se inscribe en el marco temporal indicado, aunque, hasta ahora, apenas ha recibido atención por parte de la crítica. Igualmente, se adentra en el análisis de las dos piezas teatrales que escribió y estrenó: Mujeres solas y Sol en la arena. Partiendo de un enfoque interdisciplinar, que aúna las aportaciones de la crítica literaria feminista y de los estudios de género y que se basa en una concepción sociológica del hecho literario, se lleva a cabo una profundización en ambas piezas desde el punto de vista de los modelos de identidad femenina que proponen, en la medida en que, en ellas, se plantea una reflexión sobre la evolución de los roles de género tradicionales, la maternidad o la confrontación entre la abnegación y el deseo. El fin último es contribuir a la recuperación para el canon de la figura y obra de Elena Arcediano.
Throughout the Western world, and specially in Spain, the three first decades of the 20th century marked a crucial moment for the history of women, mainly provoked by the profound legal and social transformations which affected both the public and the private spheres of women's life. Nonetheless, in the Hispanic context, it was not until the end of the century that literary critics started to recover female prewar writers, intellectuals and artists. Among them, this essay focuses on Elena Arcediano, a playwright of considerable interest whose literary work falls within the aforementioned period, although, to date, she has scarcely received attention from critics. It also analyzes the two plays that she wrote and premiered: Mujeres solas and Sol en la arena. Taking an interdisciplinary approach that combines the contributions of feminist literary criticism and gender studies, and is based on a sociological approach to literature, an in-depth look is taken at both plays from the point of view of the models of female identity that they propose, insofar as they reflect on the evolution of traditional gender roles, motherhood and the conflict between self-sacrifice and desire. The ultimate goal is to contribute to the restoration of Elena Arcediano and her works into the literary canon.
Throughout the Western world, and specially in Spain, the three first decades of the 20th century marked a crucial moment for the history of women, mainly provoked by the profound legal and social transformations which affected both the public and the private spheres of women's life. Nonetheless, in the Hispanic context, it was not until the end of the century that literary critics started to recover female prewar writers, intellectuals and artists. Among them, this essay focuses on Elena Arcediano, a playwright of considerable interest whose literary work falls within the aforementioned period, although, to date, she has scarcely received attention from critics. It also analyzes the two plays that she wrote and premiered: Mujeres solas and Sol en la arena. Taking an interdisciplinary approach that combines the contributions of feminist literary criticism and gender studies, and is based on a sociological approach to literature, an in-depth look is taken at both plays from the point of view of the models of female identity that they propose, insofar as they reflect on the evolution of traditional gender roles, motherhood and the conflict between self-sacrifice and desire. The ultimate goal is to contribute to the restoration of Elena Arcediano and her works into the literary canon.
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Palabras clave
Elena Arcediano, Mujeres solas, Sol en la arena, Edad de Plata, Identidad femenina, Roles de género, Autoras teatrales, Maternidad, Deseo, Mujer moderna, Elena Arcediano, Mujeres solas, Sol en la arena, Silver Age, Female identity, Gender roles, Female playwrights, Motherhood, Desire, Modern Woman
Citación
Amanda Aiquen Grispo Coronel. Trabajo de Fin de Máster: «Tras las huellas de Elena Arcediano: imágenes femeninas en Mujeres solas (1934) y Solen la arena (1954)». Universidad Nacional de Educación a Distancia, 2025
Centro
Facultad de Filología
Departamento
Literatura Española y Teoría de la Literatura