Persona: Ojeda Nogales, David
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dojeda@geo.uned.es
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0000-0001-5379-8069
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Ojeda Nogales
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David
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Publicación Inverted Upsilon. Roman Portraits with Y-Motif in the Fringe(Consejo Superior de Investigaciones Científicas, 2024-11-11) Ojeda Nogales, DavidRoman portraits with Y-Motif in the fringe have never been investigated exhaustively. Isolated comments or individual studies of some of them are all that can be found in specialised literature. The basic questions posed by the use of this iconographic detail in Roman portraiture remain unanswered: when and where it was employed, who were portrayed in that way, and why. The aim of the present paper is to fill that gap in research.Publicación On an Unusual Female Head from Italica (Santiponce, Seville)(Ediciones Universidad de Salamanca, 2021-06-30) Ojeda Nogales, DavidA previously unpublished female head, which decorated the residential area of the Hadrianic extension of Italica, was found in excavations carried out by A. Parladé in 1929/1930 in the proximity of the House of the Neptune Mosaic. Its most particular characteristic is that the upper part was formed by a separately worked segment of hair. This head is the first to be documented in Hispania made with this technique, in which a tenon is located in the back of the head. As it is an unusual technique, other examples in the Empire of similar characteristics are detailed in a list. Finally, a series of arguments are given to date the object in the second quarter of the 2nd century ad and include it in the group of ideal heads made during that time in Italica.Publicación A Porticus ad Nationes in Italica(German Archaeological Institute, 2023-12-01) Ojeda Nogales, David; Ministerio de Economía y Competitividad (España)Five fragments of reliefs from Italica are deposited in several Spanish museums. They are all decorated with figures of nationes and belonged to a building that must have been built in the city in the Julio-Claudian period. Its model was the Porticus ad Nationes in Rome. The donators may have chosen that architectonic point of reference to demonstrate their adhesion to the principate of Augustus and to increase their possibilities of promotion in the capital of the Empire. Judging by the large number of senators from Italica in Rome, they achieved their objective.Publicación Fragments of Roman Sculptures from Hadrian's Villa(Archaeological Institute of America, 2021-07-01) Ojeda Nogales, David; Banco SantanderThis article focuses on 12 fragments of Roman sculptures preserved in the storage rooms of Hadrian's villa in Tivoli. Ten can be identified as portraits of Hadrian, Antinous, Commodus, Caracalla, and possibly Elagabalus. Another is a head with a ringlet hairpiece (Löckchentoupet), which could represent a female member of Hadrian's family or a servant. The 12th fragment is identified as the only known replica of a head that is in the Louvre, and the two are interpreted as Roman copies of the head of a lost Hellenistic original.Publicación Sobre un busto de los almacenes del Museo del Prado. ¿Original adrianeo o creación renacentista?(Museo Nacional del Prado, 2023-01-01) Ojeda Nogales, DavidEl busto E-143 del Museo del Prado ha sido clasificado como una obra renacentista, sin que se hayan aportado argumentos definitivos para probar esa hipótesis. El nervio de su parte trasera asegura su origen romano, ya que no se han documentado nervios similares en obras modernas. Posiblemente se trata de la imagen de un desconocido de época del emperador Adriano (117-38 d. C.) realizada por un taller griego.Publicación Centurion: On a Bust in the Knole Collection Sculpted in Rome in the Third Century CE(Archaeological Institute of America, 2023-10-01) Ojeda Nogales, David; Universidad Nacional de Educación a Distancia (UNED)A Roman bust in the Knole collection (Kent, United Kingdom) was sold by Thomas Jenkins to John Frederick Sackville, Third Duke of Dorset, in Rome in 1771. Researchers who studied the bust since the end of the 19th century were unanimous in their opinion: it was a modern sculpture. However, the present study is able to refute that hypothesis, demonstrating that the bust was sculpted in a workshop in Rome in the second quarter of the third century CE. The vitis (centurion’s staff) and the dagger at the figure’s left side indicate that it represents a Roman centurion.Publicación Roman original or deliberate fake? On an unpublished bronze head in a private collection in Cordoba(Eötvös Loránd University, 2024-09-30) Ojeda Nogales, DavidA private collection in Cordoba contains a previously unpublished bronze head. It is not a Roman original. Its iconographic incongruences and its intentional fractures suggest a malicious intention in its manufacture. It is possibly a fake that someone intended to introduce in the art market. A second bronze portrait of the same personage belongs to a private collection in Murcia. It has similarly never been made known. It is also a modern sculpture, confirming the non-ancient origin of the bronze in Cordoba. The joint study of the two objects can serve as a methodological example of the procedure to detect modern fakes of bronze portraits with an antique appearance.