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2018-04-09
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info:eu-repo/semantics/openAccess
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Universidad Nacional de Educación a Distancia (España). Signa: Revista de la Asociación Española de Semiótica
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Resumen
El artículo aborda un libro reciente: Historia secreta del mundo (2015), de Emilio Gavilanes. Concretamente, pretende demostrar cómo se arma su estructura narrativa desde la tensión del género del microrrelato con el de la novela, de manera que habría que cavilar sobre por qué el autor se decanta por el primero para encauzar su expresión. Se antoja clave que el conjunto de microrrelatos que ensamblan Historia secreta del mundo no se relacionen como eslabones separados, sino que conformen una unidad gracias al tema capital del tiempo, que además goza de un valor estructural relevante, en el cual nos detenemos.____________________________________________________________________The article is related to a recent book: Historia secreta del mundo (2015), by Emilio Gavilanes. Specifically, it aims to demonstrate how its narrative structure is created from the tension between the genre of the microstory and that of the novel, such that one would have to ponder why the author decides on the former to express himself. It seems crucial that the collection of microstories that comprise Historia secreta del mundo are not told as separate chains, but rather form a single unit thanks to the central theme (time), which, furthermore, is of relevant structural value and on which we shall focus.
The article is related to a recent book: Historia secreta del mundo (2015), by Emilio Gavilanes. Specifically, it aims to demonstrate how its narrative structure is created from the tension between the genre of the microstory and that of the novel, such that one would have to ponder why the author decides on the former to express himself. It seems crucial that the collection of microstories that comprise Historia secreta del mundo are not told as separate chains, but rather form a single unit thanks to the central theme (time), which, furthermore, is of relevant structural value and on which we shall focus.
The article is related to a recent book: Historia secreta del mundo (2015), by Emilio Gavilanes. Specifically, it aims to demonstrate how its narrative structure is created from the tension between the genre of the microstory and that of the novel, such that one would have to ponder why the author decides on the former to express himself. It seems crucial that the collection of microstories that comprise Historia secreta del mundo are not told as separate chains, but rather form a single unit thanks to the central theme (time), which, furthermore, is of relevant structural value and on which we shall focus.
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Palabras clave
"Historia secreta del mundo", Emilio Gavilanes, colección de microrrelatos, collection of microstories, novel, novela, tiempo, time, "Historia secreta del mundo", Emilio Gavilanes, collection of microstories, novel, time