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Talaván Zanón, Noa

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0000-0001-5881-5323
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Talaván Zanón
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2014 - 2019132020 - 202412
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Mostrando 1 - 10 de 25
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    Traducción audiovisual y aprendizaje de español como L2: el uso de la audiodescripción en un curso de ELE
    (Taylor & Francis, 2017) Calduch, Carme; Talaván Zanón, Noa
    En el presente estudio abordaremos el papel de la traducción audiovisual (TAV) como herramienta didáctica para la enseñanza-aprendizaje de segundas lenguas y, más concretamente, describiremos las múltiples posibilidades que ofrecen las diferentes modalidades de TAV para el desarrollo de las destrezas lingüísticas. En este marco se encuadra la audiodescripción para ciegos, una modalidad de accesibilidad audiovisual que consiste en la descripción de la información visual para espectadores invidentes, es decir, en traducir imágenes en palabras. Como muestra representativa de la aplicación didáctica de esta modalidad de TAV, ofrecemos ejemplos de tareas de audiodescripción encaminadas a fomentar la riqueza estilística con el desarrollo del vocabulario, la precisión léxica y la madurez sintáctica, y describimos su puesta en práctica y los resultados preliminares obtenidos en un curso de español como lengua extranjera.
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    Exploring Collaborative Reverse Subtitling for the enhancement of written production activities in English as a Second Language
    (Cambridge University Press, 2017-01) Talaván Zanón, Noa; Ibáñez Moreno, Ana; Bárcena Madera, María Elena
    This article explores the effects of collaborative reverse subtitling as an activity for the promotion of writing skills in English as a second language. An initial analysis is undertaken of the pros and cons of the role of translation in second language learning historically and the role of information and communication technology in this process, with special attention being paid to recent initiatives on the didactic use of audiovisual translation in the form of subtitling, and the evidence of their efficacy obtained so far. Subsequently, a completed research project is described, which was aimed at promoting second language learning among distance learning university students through collaborative reverse subtitling. Specifically, the project aimed to explore both the potential of a guided subtitling activity for the development of written production skills, and also the dynamics of undertaking such an activity collaboratively, in order to gain insights on the social, cognitive, metacognitive and transfer mechanisms that can be activated in collective study. Finally, we reflect on the need to accumulate evidence on multimodal translating scenarios combining individual and collective work for the development of communicative language competences, through further research and classroom use, in order to consolidate and refine these findings.
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    Active audiodescription to promote speaking skills in online environments
    (Universitat de Lleida, 2015) Talaván Zanón, Noa; Lertola, Jennifer; http://orcid.org/0000-0002-4991-8555
    Research on the use of audiovisual translation in foreign language education has considerably increased over the last decade. However, it has mainly covered the use of subtitles as a support, and the use of active subtitling and dubbing as a task. This paper introduces the pedagogical use of another AVT mode: active audiodescription —the oral description of visual information for blind and visually impaired people— to enhance speaking skills in distance learning education. The quasi-experimental study, developed in an online setting, involved 30 Spanish students of English for Specific Purposes (level B1). Participants were required to write the audiodescription of two tourist advertisements collaboratively online and then record their voices using the web platform ClipFlair. Reasonably valid conclusions that shed some light on the pedagogical benefits of audiodescription were obtained and they invite further research on the possibilities of revoicing techniques in L2 contexts.
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    Collaborative Networks to Provide Media Accessibility: the Potential of Social Subtitling
    (Universidad de Granada, 2016-09) Talaván Zanón, Noa; Ávila Cabrera, José Javier
    Audiovisual products are becoming more and more accessible to all types of users. As far as audiovisual communication is concerned, nowadays a considerable number of audiovisual programs viewers can watch in Spain are usually made accessible by means of subtitles for the deaf and hard of hearing (SDH), audiodescription (AD) or sign language interpreting (SLI). In the context of the university, the actual need to make audiovisual products accessible to the whole community becomes pivotal, given the importance of addressing two major issues: firstly, meeting the needs of the deaf and hard of hearing by being able to access information via subtitles; and, secondly, producing subtitles for those not linguistically competent in the corresponding L2; AD and SLI are more complicated to implement in this setting, and that is why the present approach deals with subtitling alone. In particular, this paper delves into the results obtained from a social subtitling project, conducted in 2014 and implemented at the Universidad Nacional de Educación a Distancia (UNED), where volunteer students subtitled videos both individually and collaboratively so as to make them accessible to a wider audience. The analysis of the qualitative data gathered complements previous research in the field and sheds more light into the potential of social subtitling of audiovisual programs produced at the university so as to proceed to fruitful further research.
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    Using subtitles for the deaf and hard of hearing as an innovative pedagogical tool in the language class
    (Universidad de Murcia, 2019-03-13) Talaván Zanón, Noa
    The present article describes a didactic proposal based on the use of an audiovisual translation and accessibility mode as a pedagogical tool: subtitles for the deaf and hard of hearing (SDH). When students create SDH for a pre-selected clip within a well-structured task, they are enhancing integrated skills, especially in the form of written production (of the subtitles), listening comprehension (of the original), and lexical creativity (through the condensation of the original message in the form of subtitles and the description of paralinguistic elements). A project undertaken with online students to assess the potential benefits of SDH has acted as a preliminary study to back up the didactic proposal presented herein. The main data gathered from this experience offers a reference for future practice and research in this field, since it confirms previous assumptions on the validity of subtitling as a pedagogical tool to improve foreign language learning skills.
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    La traducción audiovisual como recurso didáctico para mejorar la comprensión audiovisual en lengua extranjera
    (Universidad Autónoma de Barcelona, 2019-12-07) Talaván Zanón, Noa
    Las distintas modalidades de traducción audiovisual (TAV), como la subtitulación o el doblaje, pueden utilizarse en el entorno educativo para mejorar diversos tipos de destrezas comunicativas en lengua extranjera (L2). Una de las habilidades lingüísticas más beneficiadas en este contexto es la comprensión oral (o audiovisual), dada la exposición continua del alumno al input en L2, y gracias al trabajo de reformulación para realizar la correspondiente traducción audiovisual del fragmento de vídeo preseleccionado, sea cual sea la modalidad de TAV utilizada. El presente artículo presentará los fundamentos teóricos y metodológicos para la utilización didáctica de la TAV en este contexto.
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    Audiovisual Reception and MALL: Adapting Technology to Real Needs
    (Universidad de Granada, 2015-06-24) Talaván Zanón, Noa; Ávila Cabrera, José Javier
    Teaching listening comprehension has always been a difficult task given the subjectivity that this language skill entails. This may be one of the reasons why traditional foreign language learning methodologies have most often been aimed at its assessment than at its enhancement. Nowadays, we should speak in terms of audiovisual reception skills, given the great amount of audiovisual input we receive regularly and the significant changes brought about by new technological advances. This paper offers a methodological proposal aimed at improving audiovisual reception through the use of video and audiovisual language within well-structured tasks inserted in an innovative mobile application
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    Creative Audiovisual Translation Applied to Foreign Language Education: A Preliminary Approach
    (Published by European Association for Studies in Screen Translation (ESIST), 2019-11-30) Talaván Zanón, Noa
    Creative dubbing and subtitling are presented in this article as didactic resources to improve integrated foreign language (FL) skills (specifically oral and written production). The increasing attention that the application of audiovisual translation (AVT) to FL learning has been receiving in the last two decades calls for further exploration into the potential benefits of modern AVT modes, such as funsubbing and fundubbing, understood as the creative translation of an audiovisual text, be it into subtitles or through the production of a new audio track. After considering the educational power of creative AVT and providing the corresponding theoretical justification, the article will present a methodological proposal on how to use these AVT modes in online environments. Finally, preliminary data derived from a short-term trial will be analysed and discussed.
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    Audio description and subtitling for the deaf and hard of hearing. Media accessibility in foreign language learning.
    (John Benjamins, 2022-01-31) Talaván Zanón, Noa; Lertola, Jennifer; Ibáñez Moreno, Ana; http://orcid.org/0000-0002-4991-8555
    This paper presents the teaching innovation project AUDIOSUB, which aimed at assessing the didactic potential of audio description (AD) and subtitling for the deaf and hard of hearing (SDH) in foreign language education. Within an online setting, 25 undergraduates of English Studies in a Spanish university worked collaboratively for two months and a half, in groups of five, so as to provide accessibility to complete short films. To that end, they were provided with a number of ad hoc tutorials and guidelines on technical issues related to AD and SDH, the two media accessibility modes used for this proposal. A pre-experiment was designed for data collection: pre- and post- writing and oral production tests, as well as general translation pre- and post- tests, were administered, and quantitative data were exploited using SPSS; pre-and post- questionnaires and observation were also used to triangulate and complement the analysis. The results show evidence of improvement both in written production and in general translation skills thanks to the pedagogical application of media accessibility and point towards a more systematic exploitation of didactic SDH and AD in the foreign language learning context.
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    Audiovisual didáctica (Traducción)
    (Zenodo, 2024-02-05) Talaván Zanón, Noa; Lertola, Jennifer; http://orcid.org/0000-0002-4991-8555
    La Traducción Audiovisual Didáctica, o TAD, puede definirse como el uso pedagógico por parte del alumnado de las diversas modalidades de Traducción Audiovisual (TAV) —subtitulación, doblaje, audiodescripción (AD), voces superpuestas, etc.— en el aprendizaje de lenguas (es decir, cuando e lalumnado realiza traducciones o transcripciones para subtitulación, doblaje, etc.) como núcleo de un plan de clase o secuencia didáctica, o como tarea en sí misma. Las modalidades de TAD que se describirán en esta entrada son las que se han utilizado e investigado en mayor medida: subtitulación didáctica (SD), subtitulación para personas sordas didáctica (SpS didáctica), doblaje didáctico (DD), voces superpuestas didácticas (VSD) audiodescripción didáctica (ADD), y comentario libre didáctico (CLD). Se pueden utilizar por separado o combinadas en secuencias de varios planes de clase o tareas organizadas (y con un andamiaje apropiado, siempre que sea posible) de acuerdo con las necesidades del alumnado, nivel de competencia y grado de conocimiento de TAD. Aunque la TAD ha estado tradicionalmente vinculada al aprendizaje de lenguas extranjeras, su potencial pedagógico puede aplicarse al aprendizaje de lenguas en general (e incluso a la didáctica de la traducción), ya que los beneficios de aprendizaje pueden apreciarse independientemente de la tipología de la lengua que se esté aprendiendo (L1, L2, L3, etc.). La TAD ha demostrado ser efectiva en varios estadios educativos, desde etapas tempranas(Educación Primaria) hasta niveles universitarios. Se han observado mejoras lingüísticas en varios sentidos, como en la adquisición de vocabulario, el fomento de la conciencia intercultural, la mejora de la recepción oral, así como la producción oral y escrita, o en el desarrollo de la creatividad y las destrezas integradas (Lertola2019). Además, el uso de la TAD también puede ayudar a cumplirotros objetivos educativos que van más allá de los objetivos lingüísticos, como incentivar la participación y motivación de los estudiantes, la activación de conocimientos previos, el translaguaging(es decir, el cambio de la L1 a la L2 y viceversa), el desarrollo de competencias digitales o la mejora de las habilidades de pensamiento superior e inferior, entre otros (Talaván,Lertola & Fernández-Costales2024 ).