CALVO REVILLA, AnaÁLVAREZ RAMOS, Eva2026-09-012026-09-012024-01-081133-3634https://doi.org/10.5944/signa.vol33.2024.38811https://espacio-pre.uned.es/handle/123456789/33333La conceptualización del microrrelato hipermedial ha abierto el campo a la explotación de los paradigmas estético-semióticos, que se derivan de las relaciones que se establecen entre los diferentes lenguajes que faculta la esfera digital y que repercuten en la recepción y comprensión de las nuevas microformas artístico-literarias. Cabe, por tanto, analizar tanto los retos que se abren ante los procesos de recepción del microrrelato hipermedial, como la cambiante producción creativa en la esfera de los lenguajes artísticos y literarios; la galaxia de discursos imperantes, en los que desde una perspectiva poética y estética se alzan construcciones creativas intersemióticamente, así como la relación entre ideología y estas criaturas narrativas híbridas. Abstract: The conceptualization of the hypermedial microfiction has opened the field to the exploitation of the aesthetic-semiotic paradigms, which derive from the relationships between the different languages that empower the digital sphere  nd that have an impact on the reception and understanding of the new artistic-literary microforms. It is therefore possible to analyze both the challenges that open in the face of the processes of reception of the hypermedia micro-story, as well as the changing creative production in the sphere of artistic and literary languages; the galaxy of prevailing discourses, in which creative constructions rise intersemiotically from a poietic and aesthetic perspective, as well as the relationship between ideology and these hybrid narrative creatures. Keywords: Hypermedial microstory. Semiotics. Intermediality. Multimodal literacy.The conceptualization of the hypermedial microfiction has opened the field to the exploitation of the aesthetic-semiotic paradigms, which derive from the relationships between the different languages that empower the digital sphere  nd that have an impact on the reception and understanding of the new artistic-literary microforms. It is therefore possible to analyze both the challenges that open in the face of the processes of reception of the hypermedia micro-story, as well as the changing creative production in the sphere of artistic and literary languages; the galaxy of prevailing discourses, in which creative constructions rise intersemiotically from a poietic and aesthetic perspective, as well as the relationship between ideology and these hybrid narrative creatures. esinfo:eu-repo/semantics/openAccess5705.09 Semiologíajournal article2026-09-01Ana CALVO REVILLA, Eva ÁLVAREZ RAMOSMicrorrelato hipermedial. Semiótica. Intermedialidad. Alfabetización multimodal.Hypermedial microstory. Semiotics. Intermediality. Multimodal literacy.2254-9307