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Miniatura
Fecha
2023-01-01
Derechos de acceso
info:eu-repo/semantics/openAccess
Título de la revista
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Título del volumen
Editorial
1656-152X

Citas

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Resumen
The presence of conjuring in African American culture and artistic works in its relation to female identity has been recently addressed from an academic point of view as “Conjuring Feminism”: a term that centralizes its role as an intellectual tradition that works as a liberatory epistemology for women of African descent. In the definition of such term, Audre Lorde’s concept of the erotic has a central role. This paper analyzes Zora Neale Hurston’s works to explore how she engages in this tradition and its erotic nature. Lorde’s notion also functions as the paradigm at the base of Conjuring Feminism and provides an analysis of its applicability to address the African-based spiritual phenomenon of magic, one that engages Alejo Carpentier’s notion of the marvelous real. In this way, the erotic provides the space and momentum to enact both Conjure Feminism and the marvelous real as female liberatory epistemologies.
Descripción
The registered version of this article, first published in “ Kritika Kultura: No. 42, Article 7", is available online at the publisher's website: Ateneo de Manila University, https://doi.org/10.13185/1656-152x.2068
La versión registrada de este artículo, publicado por primera vez en “ Kritika Kultura: No. 42, Article 7", está disponible en línea en el sitio web del editor: Ateneo de Manila University, https://doi.org/10.13185/1656-152x.2068
Categorías UNESCO
Palabras clave
ancestry, epistemology, erotic, feminism, folklore, spiritual practices
Citación
Peñate, Patricia Coloma (2023) "The Erotic as a Marvelous Real Paradigm: Hurston and Conjure Feminism," Kritika Kultura: No. 42, Article 7. DOI: https://doi.org/10.13185/1656-152x.2068
Centro
Facultad de Filología
Departamento
Filologías Extranjeras y sus Lingüísticas
Grupo de investigación
Grupo de innovación
Programa de doctorado
Cátedra
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